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A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

John Leech, *Substance and Shadow* (1843), published as *Cartoon, No. 1* in *Punch*, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,^[1] particularly sketches by John Leech.^[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.^[3]

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"A Rugrats Passover" is the 23rd episode of the third season of the American animated television series Rugrats, and its 62nd episode overall. It was broadcast originally on April 13, 1995, on the cable network Nickelodeon. The plot follows series regulars Grandpa Boris and the babies as they become trapped in the attic on Passover; to pass the time, Boris tells the Jewish story of the Exodus. During the episode the babies themselves reenact the story, with young Tommy portraying Moses, while his cousin Angelica represents the Pharaoh of Egypt. "A Rugrats Passover" was directed by Jim Duffy, Steve Socki, and Jeff McGrath from the script by Peter Gaffney, Paul Germain, Rachel Lipman, and Jonathon Greenberg. The episode was conceived in 1992 when Germain responded to a Nickelodeon request for a Rugrats Hanukkah special by creating a Passover episode instead. The episode scored a 3.1 Nielsen rating, making it "the highest-rated show in Nickelodeon's history", and received overwhelmingly positive reviews, including from Jewish community publications. It was nominated for a Primetime Emmy Award, an Annie Award, and a CableACE Award. The episode also, however, attracted controversy, when the Anti-Defamation League compared the artistic design of the older characters to anti-Semitic drawings from a 1930s Nazi newspaper. The episode made Rugrats one of the first animated series to focus on a Jewish holiday; its success precipitated the creation of another special, "A Rugrats Chanukah", which also attracted critical acclaim. A novelization of the episode was in 2007 exhibited at the Sherwin Miller Museum of Jewish Art in Tulsa, Oklahoma.

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Bugs Bunny is a funny animal cartoon character, best remembered for his starring roles in the Looney Tunes and Merrie Melodies series of theatrical shorts produced by Warner Bros. during the Golden Age of American animation. His popularity during this era led to his becoming a corporate mascot of Warner Bros. Entertainment. Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced New York accent, his portrayal as a trickster, and his catch phrase "Eh... What's up, doc?" (usually said while chewing a carrot). Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world. In reality, he was brought to life by the animators and staff of Leon Schlesinger Productions (later Warner Bros. Cartoons): including Tex Avery, who directed Bugs' "official" debut short A Wild Hare (1940); Robert McKimson, who created Bugs' definitive character design; and Mel Blanc, who originated the voice of Bugs.

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...that Star Trek: Countdown, a comic book prequel to the 2009 film Star Trek, is also a sequel to the 2002 film Star Trek Nemesis?

...that the Young Justice episode "Independence Day" introduces a younger version of the DC Universe?

...that Uri-On, created by Michael Netzer in 1987, was the first Israeli superhero to be published in color?

...that Sozin's Comet: The Final Battle, the two-hour finale for Avatar: The Last Airbender, was the most-watched cable television broadcast in the week of its transmission?

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The Hugo Award for Best Graphic Story is given each year for science fiction or fantasy stories told in graphic form and published in English or translated into English during the previous calendar year. The Hugo Award for Best Graphic Story has been awarded annually since 2009. It was started then with the requirement that it would only continue as an official award if approved again by the World Science Fiction Society after that year. It was, and was again awarded in 2010; it will need to be ratified again after the 2012 awards in order to continue. Hugo Award nominees and winners are chosen by supporting or attending members of the annual World Science Fiction Convention, or Worldcon, and the presentation evening constitutes its central event. The selection process is defined in the World Science Fiction Society Constitution as instant-runoff voting with five nominees, except in the case of a tie as happened in 2009. In the four years that the award has been active, twenty-one works from twelve series have been nominated. Girl Genius, written by Kaja and Phil Foglio, drawn by Phil Foglio, and colored by Cheyenne Wright, won the first three awards.

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Image 11899 cartoon showing Uncle Sam lecturing four children labeled Philippines, Hawaii, Puerto Rico, and Cuba. The caption reads: "School Begins. Uncle Sam (to his new class in Civilization)!" (from Political cartoon)
Image 2U.S. President Theodore Roosevelt introduces Taft as his crown prince: Puck magazine cover, 1906. (from Political cartoon)
Image 3Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him."
Image 4Stop-motion animated character from 20 Million Miles to Earth (1957). (from Animator)
Image 51942 political cartoon by Dr. Seuss (from Political cartoon)
Image 6Cecil Rhodes, as The Rhodes Colossus, wishes for a railway stretching across Africa from the Cape of Good Hope to Egypt. (from Political cartoon)
Image 7An animated cartoon horse, drawn by rotoscoping from Eadweard Muybridge's 19th-century photos
Image 8Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel (from Cartoon)
Image 9Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on Dr. Seuss.
Image 10James Gillray's The Plumb-pudding in Danger (1805). The world being carved up into spheres of influence between Pitt and Napoleon. According to Martin Rowson, it is "probably the most famous political cartoon of all time—it has been stolen over and over and over again by cartoonists ever since." (from Political cartoon)
Image 11John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing (from Cartoon)
Image 121903 political cartoon. The U.S.'s intentions to influence the area (especially the Panama Canal construction and control) led to the separation of Panama from Colombia. (from Political cartoon)
Image 13Benjamin Franklin's Join, or Die (May 9, 1754), credited as the first cartoon published in an American newspaper (from Cartoonist)
Image 14A Rake's Progress, Plate 8, 1735, and retouched by William Hogarth in 1763 by adding the Britannia emblem. (from Political cartoon)
Image 15A cartoon map of Europe in 1914, at the beginning of World War I. (from Political cartoon)
Image 16Thomas Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him." (from Political cartoon)
Image 17An editorial cartoon of Andrew Johnson and Abraham Lincoln, 1865, entitled The Rail Splitter at Work Repairing the Union. The caption reads: (Johnson): "Take it quietly Uncle Abe and I will draw it closer than ever." (Lincoln): "A few more stitches Andy and the good old Union will be mended." (from Political cartoon)

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William Hanna (1910–2001) was an American animator, director, producer, and cartoonist, whose movie and television cartoon characters entertained millions worldwide for much of the twentieth century. Hanna joined the Harman and Ising animation studio in 1930 and steadily gained skill and prominence while working on cartoons such as Captain and the Kids. In 1937, while working at Metro-Goldwyn-Mayer (MGM), Hanna met Joseph Barbera. The two men began a collaboration that was at first best known for producing Tom and Jerry and live action films. In 1957, they co-founded Hanna-Barbera, which became the most successful television animation studio in the business, producing programs such as The Flintstones, The Huckleberry Hound Show, The Jetsons, Scooby-Doo, The Smurfs, and Yogi Bear. In 1967, Hanna-Barbera was sold to Taft Broadcasting for $12 million, but Hanna and Barbera remained heads of the company until 1991. At that time the studio was sold to Turner Broadcasting System, which in turn was merged with Time Warner, owners of Warner Bros., in 1996; Hanna and Barbera stayed on as advisors. Hanna and Barbera won seven Academy Awards and eight Emmy Awards. Their cartoons have become cultural icons, and Hanna-Barbera's shows have a global audience of over 300 million people.

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Main projects: Arts • Animation • Comics • Entertainment • Visual arts

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Related Projects: Anime and manga • Biography • Film • Fictional characters • Media franchises • Music • Television • Video games

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Courage is the main quality of leadership, in my opinion, no matter where it is exercised. Usually it implies some risk — especially in new undertakings. Courage to initiate something and to keep it going, pioneering and adventurous spirit to blaze new ways, often, in our land of opportunity.

— Walt Disney

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